Fascicolo 1 - Testi Fonti Lessico • Anno II • 2025
Editoriale • Testi Fonti Lessico
Keywords
academy (theoretical framework), Accademia degli Innominati, Accademia degli Insensati, Accademia del Disegno, Accademia della Crusca, Accademia di San Luca, Accademia Fiorentina, Alessandro Piccolomini, Alessandro Vellutello, anti-Tassian controversy, antivitruvian, Antonio Doni, Antonio Palomino, architectural drawings, architecture, Aristotelianism, art academy, art and literature, art theory, art treatise, artistic paleography, artistic relations, Baroque art, Baroque studies, Bastiano de' Rossi, beautiful, beauty, book, Camillo Pellegrino, Carlo Maratti, Chiappino Vitelli, codicology, Counter-Reformation, Cristoforo Landino, cruscanti, Cruscants, cultural circulation, Dante Alighieri, Dante commentary, Dante Historiato, design, Diálogos de la pintura, Diego Velasquez, Diego Velázquez, diplomacy, Divina Commedia, domestic economy, drawing, drawing-book, drawn portrait, Earl of Leicester, economic treatise, editio princeps, Edizione Nazionale delle opere di Federico Zuccari, El Escorial, El Greco, Elizabethan England, England, epistemology of drawing, Europe, external drawing, Federico Zuccari, Firenze, France, Germany, Gerusalemme liberata, Giambologna, Giorgio Vasari, Giovan Pietro Bellori, gnoseology of drawing, Guglielmo Roviglio, Habsburg, Hans Holbein, historiography, history of ideas, history of philosophy, iconographic programs, iconotext, idea, idea del bello, intellect, intellectual history, intellectual lexikon, internal drawing, Italian Renaissance drawings, Italy, Kenilworth Castle, L'idea de' pittori scultori et architetti, L'idea del pittore dello scultore e dell'architetto, labor, Late Renaissance, Leon Battista Alberti, Leonardo da Vinci, lexikon, life, light, literary academy, literature, Ludovico Ariosto, Madrid, Marsilio Ficino, material history, Medici, Michelangelo Buonarroti, moral treatise, Museo pictórico y escala óptica, Nicholas Dorigny, open access, open science, operation, operational framework, Origine et progresso dell’Academia del Dissegno di Roma, Orlando furioso, painting, Paleography, philology, philoogy of texts and images, philosophy, Pietro Lucatelli, poetry, PRIN2022 IDEA Zuccari, Queen Elisabeth I, reception, Renaissance and Baroque art, Renaissance studies, Robert Dudley, Roma, Romano Alberti, satire, sculpture, servitude, Sister Arts, Sixteenth-century Literary Satire, Spain, spark, spark of divinity, sun, tabula rasa, Tassian, tassiani, Tassians, text and image studies, theoretical framework, theory of drawing, Torquato Tasso, transformative reception, Tudor art, universal artist, Vicente Carducho, Vitruvius, zuccaresque, zuccaresque drawing, zuccaresque handwriting, zuccaresque theory
Presentato
25/12/2025
•
Accettato
25/12/2025
•
Pubblicato
31/12/2025
DOI
10.69114/LIDEA2025.1315-1488
•
e-ISSN
3035-2452
•
Lingua
it | en | fr
•
ANVUR/CLASSE A
Settore 10/B1
•
ANVUR/SCIENTIFICITÀ
Area 10 | Area 11
•
ERC
SH5 | SH4_10
Copyright © Vita Segreto
This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND 4.0). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license does not allows for commercial purpose. No use, distribution or reproduction is permitted which does not comply with these terms.
Fascicolo 1 - Testi Fonti Lessico • Anno II • 2025
Editoriale • Testi Fonti Lessico
Keywords
academy (theoretical framework), Accademia degli Innominati, Accademia degli Insensati, Accademia del Disegno, Accademia della Crusca, Accademia di San Luca, Accademia Fiorentina, Alessandro Piccolomini, Alessandro Vellutello, anti-Tassian controversy, antivitruvian, Antonio Doni, Antonio Palomino, architectural drawings, architecture, Aristotelianism, art academy, art and literature, art theory, art treatise, artistic paleography, artistic relations, Baroque art, Baroque studies, Bastiano de' Rossi, beautiful, beauty, book, Camillo Pellegrino, Carlo Maratti, Chiappino Vitelli, codicology, Counter-Reformation, Cristoforo Landino, cruscanti, Cruscants, cultural circulation, Dante Alighieri, Dante commentary, Dante Historiato, design, Diálogos de la pintura, Diego Velasquez, Diego Velázquez, diplomacy, Divina Commedia, domestic economy, drawing, drawing-book, drawn portrait, Earl of Leicester, economic treatise, editio princeps, Edizione Nazionale delle opere di Federico Zuccari, El Escorial, El Greco, Elizabethan England, England, epistemology of drawing, Europe, external drawing, Federico Zuccari, Firenze, France, Germany, Gerusalemme liberata, Giambologna, Giorgio Vasari, Giovan Pietro Bellori, gnoseology of drawing, Guglielmo Roviglio, Habsburg, Hans Holbein, historiography, history of ideas, history of philosophy, iconographic programs, iconotext, idea, idea del bello, intellect, intellectual history, intellectual lexikon, internal drawing, Italian Renaissance drawings, Italy, Kenilworth Castle, L'idea de' pittori scultori et architetti, L'idea del pittore dello scultore e dell'architetto, labor, Late Renaissance, Leon Battista Alberti, Leonardo da Vinci, lexikon, life, light, literary academy, literature, Ludovico Ariosto, Madrid, Marsilio Ficino, material history, Medici, Michelangelo Buonarroti, moral treatise, Museo pictórico y escala óptica, Nicholas Dorigny, open access, open science, operation, operational framework, Origine et progresso dell’Academia del Dissegno di Roma, Orlando furioso, painting, Paleography, philology, philoogy of texts and images, philosophy, Pietro Lucatelli, poetry, PRIN2022 IDEA Zuccari, Queen Elisabeth I, reception, Renaissance and Baroque art, Renaissance studies, Robert Dudley, Roma, Romano Alberti, satire, sculpture, servitude, Sister Arts, Sixteenth-century Literary Satire, Spain, spark, spark of divinity, sun, tabula rasa, Tassian, tassiani, Tassians, text and image studies, theoretical framework, theory of drawing, Torquato Tasso, transformative reception, Tudor art, universal artist, Vicente Carducho, Vitruvius, zuccaresque, zuccaresque drawing, zuccaresque handwriting, zuccaresque theory
Presentato
25/12/2025
•
Accettato
25/12/2025
•
Pubblicato
31/12/2025
Copyright ©
Vita Segreto
This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND 4.0). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license does not allows for commercial purpose. No use, distribution or reproduction is permitted which does not comply with these terms.
