Fascicolo 2 - Disegni • Anno II • 2025
Keywords
Accademia del Disegno, Accademia di San Luca, Aegidius Sadeler, Agostino Carracci, Alessandro Allori, allegory, Andrea Boscoli, Andrea del Sarto, Annibale Carracci, architectural drawings, architecture, art academy, art theory, artistic relations, attribution, Baccio Bandinelli, Baroque studies, Berlin, bifolium, black chalk, blue, blue paper, Cabinet des dessins, catalogue, Cesare Nebbia, collecting, comparison, connoisseurship, convergence, copy, Cornelis Cort, Counter-Reformation, Dante Alighieri, Dante Historiato, design, deux crayons, discourse, discussion, Divina Commedia, draftsmanship, drawing, drawing techniques, drawing-book, drawn book, Dresden, Englad, England, Epifanio D'Alfanio, epistemology of drawing, Eugenio Montale, Europe, Federico Barocci, Federico Zuccari, Firenze, folio, forum, Fra Bartolomeo, France, Francesco Salviati, Germany, Getty Museum, Giovanni Balducci, Giovanni Battista Naldini, gnoseology of drawing, gouache, Hans Holbein, Hendrick Goltzius, iconography, iconotext, idea, imitation, imperiale, in-folio, influence, ink, invention, Italy, Jacopo Pontormo, King Agbar, Kupferstichkabinett, Kupfestich-Kabinett, landscape, Leonardo da Vinci, lexikon, libro dei disegni, libro di disegni, libro disegnato, Lille, literature, London, Los Angeles, Louvre, Luca Signorelli, Ludovico Cardi il Cigoli, Ludovico Carracci, Madrid, Mandylion, Marche, materiality, mathematics, memory, Michelangelo Buonarroti, miraculous healing, Musée Wicar, Muses, music, Nicolas Vleughels, observation, Old Master drawings, open access, open science, operational framework, Orphaeus, painting, Palais des Beaux-Arts, paper, Paper Project, paper size, paragone, Paris, pastel, pen and ink, philosophy, Pierides, Pieter Bruegel, poetry, portrait, practice, primato del disegno, PRIN2022 IDEA Zuccari, process, Raffaello Sanzio, raisoning, reale, red chalk, Renaissance and Baroque art, Renaissance studies, reproductive drawing, reproductive engraving, reproductive print, Roma, Rome, royal, royal size, Sixteenth-Century Italian drawings, Spain, style, Taddeo Zuccari, tan paper, texts and images, theoretical framework, theory, theory of drawing, training, transformative reception, translation, travel, travel sketchbook, trois crayons, universal artist, wash, watercolour, white, white chalk, white lead, words and images, zuccaresque, zuccaresque drawing, zuccaresque handwriting, zuccaresque theory
DOI
10.69114/LIDEA2025.1314
•
e-ISSN
3035-2452
•
Lingua
it | en | fr
•
ANVUR/CLASSE A
Settore 10/B1
•
ANVUR/SCIENTIFICITÀ
Area 10
•
ERC
SH5
Copyright © 2025 by Authors
This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY-NC-ND 4.0). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license does not allows for commercial purpose. No use, distribution or reproduction is permitted which does not comply with these terms.
